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So shall I go gonzo or bite the bullet and leave it to the pros? When LANDR was contacted for A/B, I was only given those comparing their old sound engine vs. I’m feeling a bit overwhelmed by all the different options. I then ran those mix downs through LANDRs engine. At the same time, I’ve heard mixed things abut LANDR and how it deals differently with different source material. Nor do I know where to start in finding an engineer who ‘gets’ dance music. What do fellow Attackites recommend? I’m the first to admit that my mastering ears are not what they could be, but equally, I’m on a budget and will struggle to afford real high-end mastering. At the moment the tracks are unmastered and I’m looking at three options: self-master an established mastering house, or one of the cloud-based services like LANDR. When listening to my releases I am generally happy with the end product. For the price LANDR provide an excellent product. I have just finished what I hope is a strong 3-track EP which I will be self-releasing with through one of the bigger aggregators. The mastering is fine and sample libraries have some very useable content although it takes a while to go through them to find what you are looking for. Join the discussion in the comments below. This month’s question comes from a reader struggling to decide which approach to mastering works best for his music. Quality mixing and mastering prices can range between 150-1000 per track.
No query is too small, no question too personal… Mastering features Purchase options Workflow tools Cost Why LANDR matters Tracks mastered using LANDR LANDR’s engine has learned from countless genres of music to give you more precise, genre-specific results. We scour our mailbox for the most deserving recipient of the Attack readership’s collective advice in the first experiment in crowdsourced answers to all kinds of production and creative problems.
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